Designed to serve players well, on and off the road, the TH 700 and the SL cabinet series promise to be easy on your back and awesome in your ears. For the other, I ran the TH 700 with a single four-ohm SL 115 to try that out as a standalone option. In my video, you’ll see these in operation and I dialled in some really useful sounds without lots of effort. Paired with and extending the top end a phenolic tweeter with integral phase plug delivers a sparkling top end to new strings. Though this could be something that you might favour actually. I never pushed it as far as it could go (I still had some pictures on my wall and wanted them to stay there), but I cranked it enough to convince me that, as a standalone cabinet and head, the rig would serve me well for small to mid-size stages. What amazed me more, however, was that through all that rumble, each note’s distinctive quality and overtones stood out. Read honest and unbiased product reviews from our users. Next, I paired the Tone Hammer 700 with a compact-sized 15" Mesa Boogie Subway, which is a very differently voiced cabinet. As expected, pairing the TH 700 and the four-ohm SL 115 resulted in the cab putting out serious volume. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Familiar Face If so, expect Aguilar to be coaching from the corner of the ring. (2.22 kg)! Run with an Ampeg SVT610HLF (6X10 ported cabinet with a horn), this thing has tone out the yang. As expected, this setup delivered meaty lows, but I was surprised by the punchy, clear, and crisp tones coming from the midrange and even the upper end. With the drive circuit barely engaged, at 9 o’clock, the feeling of tube simulation was instantly present, and I felt like the amp made for a good pairing with the large cabinet. if you are used to a cabinet with a more scooped sound than this one you are going to find your notes pinging out of the speakers. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. Wanna check out this instrument? Straight to Work That means you could connect an 8 and a 4 ohm cabinet at the same time without causing an amp shutdown. Once again bass giants, Aguilar are back with another great new piece of kit for Dan Veall to test drive. There is a standard power input connector and the AG700 has a universal power supply meaning it will auto-sense to the mains voltage wherever you are in the world. There's a problem loading this menu right now. Design, CMS, Hosting & Web Development :: ePublishing. The elegant Aguilar styling is clearly evident on the AG700. As a fairly aggressive player who keeps his electronics in passive mode about 90 percent of the time, I found myself cutting quite a bit of the mids and boosting the highs slightly to help make the bass clear and keep it from honking too much. Well established as a leader in bass innovation — from amps to pickups to pedals — Aguilar has been pushing the envelope of what lightweight gear can offer with the Tone Hammer amps and the SL series of cabinets. to be heard without a trip to the chiropractor. Street Tone Hammer 700, $899.00; SL 115, $999.00. This new amp provides the same features without messing with a time-tested, successful formula. I’d say it sounded somewhere between a miked SVT and a solid-state DI box. There are gigs where 700 watts will serve better than 500 watts, so there’s definitely a place for this amp in the marketplace in spite of the slightly higher price tag. Recently, we tested the newest members of these lineups: the Tone Hammer 700 (big brother to the Tone Hammer 500) and the SL 115 cabinet. To my ears, the drive function really seemed to shine brighter using the built-in DI compared to the 8x10—a cab that already provides some of the same benefits as the drive section thanks to its inherent voicing and slight speaker distortion. The Tone Hammer 700 shows why so many players have for years considered the Tone Hammer series a standard in class-D amplification. Once again bass giants, Aguilar are back with another great new piece of kit for Dan Veall to test drive. Nashville bassist and producer Victor Brodén is the host of The Lowdown Society Podcast. The low end is there but this cabinet I feel is more about getting through the mix rather than slamming it with low-end subs. Stylish Great tone Dependable Shaving off the lbs. Weighing in at a mere 22Kg you can’t help wondering if they are using witchcraft or simply forgot to put hardware inside to keep the mass this low. One of the companies that has significantly contributed to the growing number of bass players with happy ears and happy backs is Aguilar Amplification. We currently live in a bass world dominated by 10s and 12s, but my experience this past month with the Tone Hammer 700 and SL 115 makes me wonder if 1x15 cabs might be gearing up for a rematch. Along with my 20-year-old Sadowsky Vintage 5, I brought the Aguilar to run the Ampeg 8x10 house cabinet. Reviewed in the United States on February 4, 2018. Super-light, indeed. On the front panel is an XLR ‘balanced output’ socket with associated function switches. Top subscription boxes – right to your door, Aguilar AG 700 | 700W Lightweight Bass Head, See all details for Aguilar AG 700 | 700W Lightweight Bass Head, © 1996-2020, Amazon.com, Inc. or its affiliates. I could easily see gigging with two SL 115s and the TH 700 head. Your Pedalboards 2020: Part Deux, 2. When turning the drive knob further past noon, the tone became darker and more overdriven. The first thing that caught my attention after pulling the Tone Hammer 700 out of its shipping box was how incredibly light it is. First, I paired the TH 700 with an eight-ohm SL 115 and the SL 410x. The cabinet is rated at 8 ohms, so a pair of these as a stack will get you a 4 ohm load on the amplifier. Not an accident, says Boonshoft. Aguilar Amplification first joined the class-D revolution in 2011 by combining the preamp from their popular Tone Hammer pedal with a class-D power amp section for their Tone Hammer 500 head. The AG 700 has the clarity, dynamic range and fast transient response of the legendary AG 500 with a big low-end and high headroom. This solid state amplifier provides 700 continuous watts at 4 ohms while only weighing 4.9 lbs. I bet that will be a total win! Always with the GAS inducing TOM! I would recommend this. Discussion in 'Amps and Cabs [BG]' started by melodiaopus, Jan 17, 2018. Hooked: Stephen Brodsky on Led Zeppelin's "Communication Breakdown". Those already familiar with the Tone Hammer 500 will recognize the front plate—where the gain and drive controls, 3-band EQ, midrange-frequency selector, effect send/return, and DI out are placed in their tried-and-true positions. Round the back then, a pair of Speakon outputs for hitching up speaker cabinets are of the locking type. Whether at low or high volume, the SL 115 delivered, and that is probably the best praise I can offer overall; each of these setups provided similar high-level performance at all volumes, and the Tone Hammer 700’s volume, gain, and drivecontrols let you dial in about as much grit as you want at any decibel level. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. My first impression was how distinct the sound of the Tone Hammer is. Here's the link: https://www.nstuffmusic.com/p-99017-aguilar-ag-700-700-watt-bass-head-black.aspx Join us on Facebook! Stacking the SL 410x (44Hz–16kHz) on top of the SL 115 made for the perfect combination. I took two eight-ohm SL 115s, the Tone Hammer 700, and my MIJ Fender ’75 Reissue Jazz Bass (with a Sadowsky three-knob preamp installed). My first impression was how distinct the sound of the Tone Hammer is. I would have liked some sort of a one-stop-shopping EQ control, similar to what other manufacturers call an enhance, character, or voicing control. My first chance to test this gear came when I was leading a music workshop with Victor Wooten at a local university here in Nashville. https://www.youtube.com/nstuffmusicFollow us on Twitter and stay up-to-date on all our deals! Okay, not really. I did find a sweet spot with the control, however, and was able to successfully warm this tone up without causing it to lose its clarity. All Rights Reserved Again, no noticeable filtering here, just a good transducer doing its job. I don’t recommend mismatching cabinets like that, since one cab will draw more power than the other and thus produce uneven volume levels, but the Tone Hammer 700 allows for it. Let’s find out. Gold Supporters see zero ads! Please make sure that you are posting in the form of a question. I'd be curious where the D800 and Magellan land on this as well. Is that your general experience? The SL 112 imparts a punchy tone with lots of midrange bloom. Reviewed in the United States on June 1, 2017. On these small form factor high power D-Class amplifiers, similarly powerful fans are needed to react quickly to temperature changes. The company’s newest class-D entry, the Tone Hammer 700, provides all the features a number of players have come to know and love, but Aguilar also added more of the feature that so many bassists know and love the most: power. To be fair, the drive control on the Tone Hammer can do a little bit of that trick, but it obviously can come with a fair amount of grit. But I've never felt that I was lacking anything with the 700w ICE modules. Disabling it will result in some disabled or missing features. Its frequency response is listed as 35Hz–4kHz, but it had no problem reproducing tones beyond that. Seriously — I vibrated one picture and a signed drum head off my studio walls. Designed to serve players well, on and off the road, the TH 700 and the SL cabinet series promise to be easy on your back and awesome in your ears. Pros Powerful, super-light gear that packs a heavyweight punch. For that reason, I have no problem with hearing them spin up every now and then. My tone never got too muddy, it provided plenty of attitude, and the amp’s slight tube simulation made slides with fret noises sound musical. I prefer the sound of the 700 (smoother, less grainy), but havent been convinced it puts out comparable wattage. Victor has toured and recorded with more than 30 major-label artists, including LeAnn Rimes, Richard Marx, Casting Crowns, and Randy Houser. I typically rely heavily on a control like this to compensate for instrument changes between songs or to change tone without having to take the time to re-EQ the amp. Follow us here. I stood in front of it for about an hour just playing tunes that required the use of the B-string so I could revel in the way the low notes spoke with authority. How often do you play your bass around the house without amplification? When I asked Dave Boonshoft about it, he said, “At Aguilar, we are in the business of making tools for bass players, and we never want them to fail, regardless of the reason why.” That’s an attitude I can get behind. Dan Veall Pros. You're a serious asset to the community Tom! just curious if any of y’all have any experience with either head.A/b tested with different cabs. Studio-Grade Compression for Your Pedalboard? Hooked: Nels Cline on the Yardbirds' "Over Under Sideways Down", 3.
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