Please subscribe or login. Associate Professor of English former Acting Director . Widely recognized as the book that invents the term neoslave narrative without the hyphen, Bell discusses two fictional narratives of slavery, Margaret Walker’s Jubilee (1966) and Ernest Gaines’ The Autobiography of Miss Jane Pittman (1971) as significant examples of the genre among the extensive interpretations of more than forty African American novels. DOI: 10.1002/9781444323474.ch22E-mail Citation ». Impressive theoretically driven monograph that explores nine US and Caribbean “contemporary narratives of slavery” while theorizing the use of this broader analytic term and attending to the issue of subject formation. Search for more papers by this author. Search for more papers by this author. Keizer 2004 offers the descriptive label, “contemporary narratives of slavery” and argues that the “literary works themselves theorize about the nature and formation of black subjects, under the slave system and in the present, by utilizing slave characters and the condition of slavery as focal points” (p. 1). Ithaca, NY: Cornell University Press, 2004. The neo-slave narrative is often marked by a fully developed black subjectivity that complicates, or directly calls into question, traditional historiography of “master” narratives. The focus on subject formation also reflects a critical turn away in the 21st century from use of the term slave and a move toward the term enslaved African to underscore personhood and humanity rather than solely highlighting slave status. In a similar vein, Spaulding 2005 emphasizes the “reformation of the historiography of slavery” in what the author terms “the postmodern slave narrative” (p. 25) that includes third-person narration, parody, satire, and science fiction replete with polyphony, temporal gaps and shifts, haunting, and elements of the fantastic. Smith 2007 uncovers how the neo-slave narrative, or what the author calls “retrospective literature about slavery” branches out from the first-person testimonial narrative form as a “realistic” representation of slavery and notes how the contemporary narratives exist in diverse forms (p. 168). As a global organization, we, like many others, recognize the significant threat posed by the coronavirus. Our distribution centers are open and orders can be placed online. Unlike earlier works written by authors such as Frederick Douglass and Harriet Beecher Stowe, neo-slave narratives are written by authors whose focus is not the abolition of slavery, but the amelioration of the wounds it has left behind; they seek reconciliation with a past that still haunts the present. Columbus: Ohio State University Press, 2005. Several well-known anthologies of African American literature provide instructive introductory articles to the genre, including Dubey 2010 and Smith 2007. Edited by Audrey Fisch, 168–185. Edited by William L. Andrews, Trudier Harris, and Frances Smith Foster, 533–535. Arts & Humanities > Literature > Literary Studies - Modern & Contemporary Arts & Humanities > Literature > Literary Studies - American. During this time, we have made some of our learning resources freely accessible. Cambridge, UK: Cambridge University Press, 2007. Boston University, England. Neo-slave narratives refer to the literary genre of contemporary narratives of slavery that emerge primarily after World War II, particularly flourishing in the late 1960s and 1970s. A neo-slave narrative — a term coined by Ishmael Reed while working on his 1976 novel Flight to Canada and used by him in a 1984 interview — is a modern fictional work set in the slavery era by contemporary authors or substantially concerned with depicting the experience or the effects of enslavement in the New World. Moreover, Morrison 1990 examines the interplay between memory and history, the past and the present. University of Illinois ‐ Chicago, USA. Smith, Valerie. The character Dana, lives in contemporary California, but is transported back in time to the antebellum South. “The Site of Memory.” In Out There: Marginalization and Contemporary Cultures. Offers a writer’s perspective on the function of memory and imagination in the creation of postbellum fiction. Bell, Bernard W. The Afro-American Novel and Its Tradition. Provides a useful overview of the genre and offers a broad definition of the term with close readings of representative texts. Do be advised that shipments may be delayed due to extra safety precautions implemented at our centers and delays with local shipping carriers. Professor of English. Morrison, Toni. This title is available as an ebook. New York: Oxford University Press, 1999. New York: Oxford University Press, 1997. Professor of English. ” A novel titled Kindred, penned by Octavia Butler, is among the body of neo-slave narratives published in the last century. After discerning the social and historical factors surrounding the first appearance of that literary form in the 1960s, NeoSlave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent the crucial cultural debates that arose during the sixties. Learn more. Enter your email address below and we will send you your username, If the address matches an existing account you will receive an email with instructions to retrieve your username, By continuing to browse this site, you agree to its use of cookies as described in our, I have read and accept the Wiley Online Library Terms and Conditions of Use, https://doi.org/10.1002/9781444323474.ch22. Keizer, Arlene R. Black Subjects: Identity Formation in the Contemporary Narrative of Slavery. A Companion to African American Literature. Furthermore, as fictionalized narratives of slavery, many texts borrow and replicate to varying degrees the formal conventions, such as style or plot, of the classic autobiographical slave narrative of the 18th and 19th centuries while others depart dramatically from this form, challenging and reimagining the “official” historical record to assert the voice and agency of the texts’ narrator-protagonists. The full text of this article hosted at iucr.org is unavailable due to technical difficulties. Rooted in first-person testimonials, this edited collection presents interviews from survivors of “modern-day slavery,” a capacious term that encompasses human trafficking, forced sex work, child labor, forced domestic work, and debt bondage; noteworthy for its expansive geographic breadth of case studies including Haiti, Germany, India, Italy, and the United States. Provides instructive periodization, categorization, and divisions of works in this genre. Cambridge, MA: MIT, 1990. Departing from the invention of “neoslave” in Bell 1987, this reference focuses on how contemporary fictions of slavery illustrate “the experience or the effects of New World slavery” and demonstrate the “lasting cultural meaning and social consequences” (p. 533). The renaissance of the postmodern slave narratives in the 20th century was a means to deal retrospectively … Dubey, Madhu. Oft-cited, book-length work that popularizes the term, “neo-slave narrative” and discusses the genre in terms of its relation to the social, political, and cultural climate of the 1960s. One notable exception to this periodization is Bontemps 1992 (cited under Literature: Prose), the renowned novel of black revolt. Neo‐Slave Narratives. Since Rushdy 1999, many scholars have adopted Rushdy’s use of the neologism and it appears as a critical term in hundreds if not thousands of scholarly journal articles, theses, dissertations, and books. this page. The neo-slave narrative reconfigures generic conventions of the historical antebellum and post-emancipation slave narrative with an emphasis on what Sharpe 2010 (cited under Black Women’s Voices) calls the “formation of post-slavery subjects” that centers the subjectivity of the enslaved African’s experience. Learn about our remote access options, Associate Professor of English former Acting Director. The use of the hyphenated term neo-slave narrative in Rushdy 1999 differs from its use in Bell 1987 in the periodization and distinctions drawn between fictional varieties of the literary form: historical, social realist, magic realist, genealogical, and palimpsest novel, to name a few categories. Scholarly debates deal with questions of authenticity and authorship. Madhu Dubey. For more information or to contact an Oxford Sales Representative click here. and you may need to create a new Wiley Online Library account. Users without a subscription are not able to see the full content on You could not be signed in, please check and try again. Expand or collapse the "in this article" section, Works Project Administration (WPA) Interviews, Classic Slave Narratives and the African American Literary Tradition, Expand or collapse the "related articles" section, Expand or collapse the "forthcoming articles" section, Slavery in British and American Literature, Transnationalism in Postcolonial and Subaltern Studies. Neo-slave Narratives - Ashraf H. A. Rushdy - Oxford University Press It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. NeoSlave Narratives is a study in the political, social, and cultural content of a given literary form--the novel of slavery cast as a first-person slave narrative.
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